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The importance of vision and visual arts such as painting, theatre, and sculpture in Marcel Proust's A la recherche du temps perdu has long been affirmed; another significant system of visual representation in the novel is photography. Proust appropriated photography as a practice with its own distinctive characteristics which could inform his writing about the processes of perception and memory. Through close textual analysis of scenes where photography is experienced or observed as a practice, and scenes where photography is written into the body of the text, Aine Larkin offers an invigorating new study that sheds genuinely new light on the presence of photographic motifs in Proust's novel, and the subtlety of Proust's engagement with this modern imaging system in his work.
The digital age has brought about a world-wide evolution of phototherapy and therapeutic photography. This book provides both a foundation in phototherapy and therapeutic photography and describes the most recent developments.
Phototherapy and Therapeutic Photography in a Digital Age is divided into three sections: In the first, an introduction and overviews from different perspectives; in the second, approaches and contexts, including phototherapy, re-enactment phototherapy, community phototherapy, self-portraiture, family photography. This is followed by a conclusion looking at the future of phototherapy and therapeutic photography in terms of theory, practice and research.
The book is for anyone interested in the therapeutic use of photographs. It will be of particular interest to psychological therapists and especially psychotherapists, counsellors, psychologists and art therapists, as well as photographers and others wishing to explore further the use of photographs therapeutically within their existing practices.
Learn To Capture The Most Breathtaking Photos Possible As children, we often recall sitting at our grandparent's homes looking at photographs of our parents taken during their childhood. If we were lucky, we may have the privilege of seeing our grandparent's parent's images captured on film, though those photographs may be in black and white. Inside these photo albums exists an intricate story of one's heritage. Those who enjoy tracing his or her ancestry could easily flip through the pages and discover the story of his or her origins. Yet, as society developed and progressed, we as individuals sought out less and less information on our pasts and looked strictly at the future. We began taking photos for the purpose of telling our story-not for posterity, but for pure intrinsic gain. This led to near catastrophic societal events.
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